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"While highlighting the prevailing role of television in Western societies, Art vs. TV maps and condenses a comprehensive history of the relationships of art and television. With a particular focus on the link between reality and representation, Francesco Spampinato analyzes video art works, installations, performances, interventions and television programs made by contemporary artists as forms of resistance to and appropriation and parody of mainstream television. The artists discussed belong to different generations: those that emerged in the 1960s in association with art movements such as Pop Art, Fluxus and Happening; and those appearing on the scene in the 1980s, whose work aimed at deconstructing media representation in line with postmodernist theories; to those arriving in the 2000s, an era in which, through reality shows and the Internet, anybody could potentially become a media personality; and finally those active in the 2010s, whose work reflects on how old media like television has definitively vaporized through the electronic highways of cyberspace. These works and phenomena elicit a tension between art and television, exposing an incongruence; an impossibility not only to converge but at the very least to open up a dialogical exchange"--

Télévision et art. --- Television and art. --- Art on television

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This book represents a compilation of research in sustainable architecture and planning. Its main focus is offering strategies and solutions that help reducing of the negative impacts of buildings on the environment and emphasizing the suitable management of available resources. By tackling the topic of sustainability from a historical perspective and also as a vision for the future, the book in hands provides new horizons for engineers, urban planners and environmentalists interested in the optimization of resources, space development, and the ecosystem as a whole to address the complex unresolved problems our cities are facing. This book is a culmination of selected research papers from IEREK’s sixth edition of the International Conference on Urban Planning & Architectural Design for Sustainable Development (UPADSD) held online in collaboration with the University of Florence, Italy (2021) and the first edition of the International Conference on Circular Economy for Sustainable Development (CESD) held online in collaboration with the University of Salento, Lecce, Italy (2021).

Landscape architecture. --- Urban policy. --- Transportation engineering. --- Traffic engineering. --- Environmental management. --- Sociology, Urban. --- Cultural property. --- Landscape Architecture. --- Urban Policy. --- Transportation Technology and Traffic Engineering. --- Environmental Management. --- Urban Sociology. --- Cultural Heritage. --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Urban sociology --- Cities and towns --- Environmental stewardship --- Stewardship, Environmental --- Environmental sciences --- Management --- Engineering, Traffic --- Road traffic --- Street traffic --- Traffic, City --- Traffic control --- Traffic regulation --- Urban traffic --- Highway engineering --- Transportation engineering --- Civil engineering --- Engineering --- Cities and state --- Urban problems --- City and town life --- Economic policy --- Social policy --- Sociology, Urban --- City planning --- Urban renewal --- Horticultural service industry --- Landscape gardening --- Landscaping industry --- City planning. --- Urban transportation --- Urbanization. --- Planning. --- Cities and towns, Movement to --- Urban development --- Urban systems --- Social history --- Sociology, Rural --- Urban policy --- Rural-urban migration --- Civic planning --- Land use, Urban --- Model cities --- Redevelopment, Urban --- Slum clearance --- Town planning --- Urban design --- Urban planning --- Land use --- Planning --- Art, Municipal --- Civic improvement --- Regional planning --- Government policy

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Microspacecraft. --- Lightsats --- Micro satellites --- Microsats --- Small satellites --- Small spacecraft --- Spacecraft, Micro --- Ultra compact spacecraft --- Ultralightweight spacecraft --- Space vehicles --- Vehicles espacials --- Naus espacials --- Astronàutica --- Coets (Aeronàutica) --- Vehicles

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Tradizionalmente la poesia epica d’età flavia è stata studiata in rapporto all’Eneide virgiliana; questo volume, invece, si sofferma sulla ricezione in Argonautiche, Tebaide e Punica di quattro grandi episodi dell’Iliade legati alla dimensione dell’eroismo. Omero non è soltanto archetipo della virtus, talora arcaica e primitiva, messa in campo dai protagonisti dei poemi esaminati, ma è usato persino come modello delle perversioni e della negazione della virtus stessa. Il volume, che evidenzia affinità e differenze tra Valerio Flacco, Stazio e Silio Italico in rapporto alla tecnica poetica e all’uso dei modelli, spazia lungo l’arco della poesia epica fino al I sec. d.C. e affronta anche questioni di cronologia relativa, piuttosto spinose specialmente per quanto riguarda Tebaide e Punica.

Valerius Flaccus, Caius (0045?-0090?). --- Silius Italicus, Tiberius Catius (0025?-0101). --- Stace (0040?-0096).

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Questo studio sull'opera filosofica più ambiziosa di Christoph Sigwart (1830-1904) si concentra su un'idea di logica della conoscenza. Un'idea che non si conforma al modello kantiano, perché rinuncia ad attribuire universalità e necessità alle leggi che definiscono a priori le condizioni trascendentali della conoscenza. Un'idea che sviluppa un diverso significato di "trascendentale" e "a priori", privo dell'esigenza di uno statuto epistemico speciale rispetto a quello richiesto dalle altre scienze empiriche. Intrecciata nella stessa contingenza che caratterizza i risultati di queste scienze, una tale logica della conoscenza può approntare critiche adeguate alla mobilità di questi risultati. La scelta di esplorare questa possibilità proprio attraverso un'analisi della Logik (1904) è motivata dalla convinzione che questo lavoro, smarcato dalle pastoie del Novecento, sia in grado di offrire, oggi, un'alternativa alla dismissione del progetto di un'epistemologia in prospettiva trascendentale. Ma quest'opera è anche un accesso dimenticato al vivace laboratorio postkantiano che, nella Germania a cavallo tra XIX e XX secolo, produce un modello di filosofia scientifica che ha influenzato profondamente il successivo dibattito epistemologico. Questo studio si propone, quindi, anche di introdurre il lettore ai principali temi epistemologici affrontati da Sigwart e dalla tradizione kantiana a cui Sigwart appartiene.

Logic. --- Logic, Symbolic and mathematical.